Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — ceramic art tile

Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile

Keepsake · 2 in / Glossy / Loose
$22.00
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Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — ceramic art tile
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — ceramic art tile
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — front
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — scale
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — gifting
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — grouping
  • Above the bench, in a warm oak surround.
  • Beside the kettle, propped on the counter.
  • Above the linens, in a slim black surround.
  • On the nightstand, on a light oak stand.
  • On a picture ledge, where the light comes in.
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — ceramic art tile
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — front
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — scale
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — gifting
  • Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile — grouping
  • Above the bench, in a warm oak surround.
  • Beside the kettle, propped on the counter.
  • Above the linens, in a slim black surround.
  • On the nightstand, on a light oak stand.
  • On a picture ledge, where the light comes in.
Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile

Cumbres & Toltec at Cumbres Pass San Juans Ceramic Art Tile

$22.00
Piece
Finish
Mount

The highest stretch of narrow-gauge railroad still working in the United States. Steam locomotives built in the 1920s climb out of Chama, New Mexico, work their way up a four-percent grade through aspen and high meadow, and crest at Cumbres Pass at 10,015 feet before easing down into Toltec Gorge. Volunteers in the railyard talk about the line the way other people talk about a parent. The colour the artwork holds is the colour the smokestack leaves behind on a cold September morning, blue against gold.

Slowly infused into the ceramic surface under high heat and pressure, in our family studio in Knoxville, Tennessee.

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